500 Days of Summer Video Store Scene Family Guy
500 Days of Summer | |
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Directed by | Marc Webb |
Written past |
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Produced by |
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Starring |
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Cinematography | Eric Steelberg |
Edited past | Alan Edward Bong |
Music past |
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Production | Dune Entertainment |
Distributed by | Play a joke on Searchlight Pictures |
Release dates |
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Running fourth dimension | 95 minutes |
Land | United States |
Linguistic communication | English |
Budget | $vii.five million[1] [2] |
Box office | $60.vii 1000000[1] |
500 Days of Summer (stylized every bit (500) Days of Summer ) is a 2009 American romantic comedy-drama picture show directed past Marc Webb[3] from a screenplay written past Scott Neustadter and Michael H. Weber, and produced past Mark Waters. The moving-picture show stars Joseph Gordon-Levitt and Zooey Deschanel, and employs a nonlinear narrative structure, with the story based upon its male protagonist and his memories of a failed relationship.[4]
As an independent product, the film was picked up for distribution by Trick Searchlight Pictures and premiered at the 25th Sundance Moving-picture show Festival. It garnered mostly positive reviews and became a successful "sleeper hit", earning over $60 million in worldwide returns, far exceeding its $7.5 one thousand thousand budget. Many critics lauded the moving-picture show as one of the best from 2009 and drew comparisons to other acclaimed films such every bit Annie Hall (1977) and High Allegiance (2000).[four] [5] [6]
The motion-picture show received Best Original Screenplay and Best Screenplay awards at the 14th Satellite Awards and 25th Independent Spirit Awards, respectively, as well as two nominations at the 67th Gold Globe Awards: Best Motion Film – Musical or Comedy and Best Role player – Musical or Comedy (Gordon-Levitt).[7]
Plot [edit]
On day 1, Tom Hansen meets Summer Finn, his boss' new assistant. Tom is an architect working every bit a writer at a greeting card company. They notice that they take a similar taste in The Smiths.
On day 28, at a karaoke night for their piece of work, they talk most love. Tom believes in information technology, but Summer does not. Tom's friend and co-worker McKenzie drunkenly reveals that Tom likes Summer, which he asserts is simply "every bit friends", something Summertime agrees with. On 24-hour interval 31, Summertime spontaneously kisses Tom in the office. On day 34, Summertime tells him she is not looking for a serious relationship. Tom agrees to a casual relationship. That night they have sex; Tom is elated.
After several months of dating, they grow closer. Both Tom's friends and his preteen half-sister Rachel push button him to ask Summer where they are in their relationship, though Summertime brushes this off, saying that information technology should non matter if they are both happy.
On day 259, Tom fights a man who tries to pick Summertime up in a bar, causing their first argument. The next night, she visits Tom at his flat, and they make up. Tom asks about their relationship, wanting consistency. Summer says she cannot hope him how she would feel in the future. However, to prove him how she currently feels, she kisses him. He reciprocates; they spend the dark together.
On twenty-four hour period 290, after meeting at a buffet, Tom wants to go back to Summertime's only she insists on seeing The Graduate. She weeps at the ending, surprising him, as he'd always idea it was a romantic fairy tale. Afterward, at the record store, Summertime is distracted, and kisses him expert night on the cheek. Tom brings her to a diner, where she lightly announces the relationship is not working, citing their frequent arguments, and breaks upward with him. Although she still considers Tom her best friend, he is horrified and becomes depressed.
Summer quits the greeting carte du jour visitor. Tom'due south dominate moves him to the consolations department, as his depression is making him unsuitable for happier events. Tom goes on a blind appointment with a woman named Alison. Tom spends the date talking nigh Summer until Alison leaves exasperated.
Months later, Tom attends co-worker Millie's wedding and tries to avoid Summer on the train, but she spots him and invites him for java. They have a good time at the wedding ceremony, trip the light fantastic together, and Summer catches the bouquet. She invites Tom to a political party at her apartment, falling asleep on his shoulder on the ride dorsum. He attends the political party, hoping to rekindle their human relationship, but barely interacts with Summer, spending most of the dark drinking alone, until he spots her engagement ring.
Tom leaves devastated. Farther depressed, he only leaves his flat for booze and junk nutrient. Afterwards a few days, he returns to piece of work hung over and, later on an emotional outburst, quits. Rachel, his sis, tells Tom that she does not believe Summer was "the 1" and that he is only remembering happy memories of the relationship. Tom thinks harder, finally seeing moments of incompatibilities he overlooked, and alert signs he missed on the day of the breakup. One day, Tom finds the free energy to get out of bed and rededicates himself to architecture, as Summertime had encouraged him to do. He identifies firms he wants to work for, assembles a portfolio, and goes to job interviews.
On 24-hour interval 488, Summer visits Tom at his favorite spot in the city. He tells her he left the office, and notes that she got married, which he cannot encompass as she never wanted to be someone's girlfriend. Summer says she got married because she felt sure, which she did not with Tom. When he says he was wrong about true honey existing, she counters that he was correct about information technology, but wrong about it being with her. She tells him she is glad he is doing well. Tom wishes her happiness.
On solar day 500, Tom, at a task interview, meets a woman applying for the same task. He finds she shares his favorite spot, and invites her for coffee afterwards. She politely declines, so changes her listen. Her proper noun is Autumn.
Cast [edit]
- Joseph Gordon-Levitt as Tom Hansen, a trained architect who works equally a writer at a greeting card company.
- Zooey Deschanel as Summer Finn, assistant to Tom's boss.
- Geoffrey Arend as McKenzie, Tom's friend and co-worker at the greeting carte du jour visitor.
- Chloë Grace Moretz as Rachel Hansen, Tom's younger one-half-sister.
- Matthew Grey Gubler as Paul, ane of Tom's friends.
- Clark Gregg as Vance, Tom's boss.
- Key Williams as Tommy Abraham
- Patricia Belcher as Millie
- Rachel Boston as Alison, Tom'southward blind date.
- Minka Kelly every bit Autumn
- Maile Flanagan equally Rhoda
- Yvette Nicole Chocolate-brown as Vance's New Secretary
- Olivia Bagg as Immature Summer
- Richard McGonagle as Narrator
Production [edit]
Writing [edit]
The film is presented every bit a not-linear narrative. Each scene is introduced using a title menu showing which of the 500 days information technology is.[8] Co-writer of the film Scott Neustadter admitted the film was based on a real romance. Neustadter explains that when he met the existent daughter who inspired the character Summer every bit a student at the London Schoolhouse of Economics in 2002, he was rebounding from a bad breakdown back home, and promptly fell "crazily, madly, hopelessly in love" with the girl who "returned his kisses but non his ardor." The catastrophe of the relationship was "painfully and unforgettably awful," which prompted him to co-write the film with Michael H. Weber. When Neustadter later showed the script to Summertime'southward real life counterpart, she said she related more than to the Tom graphic symbol.[9] Weber also stated that, "nosotros've all been in the trenches of love, we've all gone through the highs and lows, so Scott and I felt that the just way to tell this story was to come up at it from a completely real identify. Information technology was pretty interesting for us because Scott was just going through a break-up and I was in a long-term relationship, and then we each brought a totally opposite perspective, living it and non living it, and I think that tension helped to bring out more of the comedy".[10]
Direction [edit]
Director Marc Webb has described the film as more of a "coming of age" story every bit opposed to a "rom-com". He stated, "We arrive at a dissimilar conclusion, for ane affair. Plus, most romantic comedies are more loyal to a formula than to emotional truth. It'south about happiness, and learning that y'all'll notice it within yourself, rather than in the big blue eyes of the girl in the cubicle down the hall. I wanted to make an unsentimental movie and an uncynical movie. In my listen, I wanted it to be something you could trip the light fantastic to. That'south why nosotros put a parenthesis in the title – it's similar a pop song in picture show form. It's not a big motion-picture show. Information technology's not near war or poverty. It's most 500 days in a young guy's relationship, only it's no less deserving of scrutiny. When your heart is first cleaved, it consumes you lot. And information technology's an emotion I wanted to brand a flick most, earlier I forgot how it felt".[ten] Webb as well stated that Deschanel's grapheme, Summer, is based on a stock character type; "Yes, Summer is an young view of a woman. She'southward Tom'south view of a woman. He doesn't see her complexity and the outcome for him is heartbreak. In Tom'south optics, Summertime is perfection, but perfection has no depth. Summer'south not a daughter, she'southward a phase."[10] Gordon-Levitt explained that he was drawn to the role of Tom considering of his relatability to the character. "I've had my heart cleaved before. Truly, truly broken. But when I look back at me in my heartbroken stage, information technology's pretty hilarious, because it felt so much more extreme than information technology really was. One of the things I dear virtually 500 Days of Summer is that it doesn't make low-cal of what we go through in romances, but it is honest about it and shows it for what it is, which is oftentimes greatly funny".[10]
Filming locations [edit]
David Ng of the Los Angeles Times describes architecture every bit a star of the motion picture.[xi] Tom is seen reading Alain de Botton'southward The Compages of Happiness. The picture show was originally set in San Francisco but was later moved to Los Angeles and the script rewritten to make ameliorate use of the location.[12] Buildings used include the Los Angeles Music Heart (which includes the Dorothy Chandler Pavilion) and the towers of California Plaza.[xi] The older Fine Arts Edifice is featured in the picture show, in a scene where Tom shows it to Summertime and mentions its designers, Walker and Eisen, two of his favorite architects.
Christopher Hawthorne of the Los Angeles Times describes the picture show as having "finely honed gustatory modality" to include the Bradbury Edifice where Tom goes for his job interview.[13] [fourteen]
Tom'due south favourite spot in Los Angeles was shot at Angel'southward Knoll, which became a popular tourist attraction subsequently the moving-picture show'due south release. Since July 2013 it has been closed off to the public due to country cutbacks.[15] In his commodity about cinematic cartography, Dr. Chris Lukinbeal suggests that the location of Angel's Knoll mirrors Tom's view of the world. He argues that Tom only perceives the beauty of the buildings surrounding them and only acknowledges the parking lot when Summer points information technology out to him. He states that "Tom is as well unable to see across his expectations of hopeless romance."[16]
Costume blueprint [edit]
Costume designer, Promise Hanafin has revealed through interviews that Marc Webb insisted on the color blue being worn exclusively by Summer. He based his decision on Zooey Deschanel's eye colour, but as Hanafin disclosed, information technology works on a subconscious level as well, attracting attending at all times. The but scene to break this "rule" is the Hall & Oates dance sequence where many of the extras appear in bluish. "The point of that was to show that, in his morning-after glow, Tom's whole world is a reflection of Summer".[17] The costumes are a mixture of vintage and fast fashion with the emphasis on staying realistic to what the characters could afford. Summertime'southward wardrobe is refreshing and stylish without anything tying it to the years around the motion-picture show'southward release which gives the aesthetics a timeless quality.[17] [18]
Marketing [edit]
To help promote the flick, Gordon-Levitt and Deschanel starred in the debut episode of Microsoft Zune and Mean Magazine 's "Cinemash" series. In the episode, they "mash" the characters from the moving picture Sid and Nancy with story elements from 500 Days of Summer.[19] [20]
Marc Webb created a music video equally a companion piece to the moving picture, titled "The Bank Heist". It features Deschanel and Gordon-Levitt dancing to "Why Do You Permit Me Stay Here?", a song past Deschanel'south folk group She & Him.[2] Webb remarked, "when nosotros didn't include Zooey in the trip the light fantastic toe sequence [in 500 Days], she was a little heartbroken and I felt like I needed to remedy that."[21]
Release [edit]
The flick made its debut at the 25th Sundance Film Festival. It proved a huge success and received a continuing ovation from festival crowds upon screening.[22] In Europe, 500 Days of Summer premiered in Switzerland as the opening film of the 62nd Locarno Film Festival.[23]
Filmed independently, it was picked up for distribution by Play a trick on Searchlight Pictures and opened in the United States and Canada on July 17, 2009, later expanding to broad release on August 7, 2009.[24] It was later also released on September two, 2009, in Ireland and the Uk, and opened in Commonwealth of australia on September 17, 2009.[25]
Box office [edit]
Upon the film'southward initial limited release in the U.Due south, it was expected to become the "breakout indie hit of the summer".[26] Past September 8, the moving picture had taken in $i.9 million from 318 screens in the Uk. This was regarded as a successful five-solar day opening by Pull a fast one on Searchlight, earning around half as much equally the science-fiction blockbuster Commune 9, which took in $three.v 1000000.[27] The film ended up grossing $32.four million in the U.s. and Canada and $60.7 1000000 worldwide.[1]
Reception [edit]
On Rotten Tomatoes, the film has an approval rating of 85% based on 236 reviews, with an boilerplate rating of 7.6/10. The site's disquisitional consensus reads, "A clever, offbeat romantic comedy, 500 Days of Summer is refreshingly honest and utterly charming."[4] At the website'south year-cease "Gold Tomato Awards", which honored the best reviewed films of 2009, the film placed second in the romantic category.[28] On Metacritic, the film has a weighted average score of 76 out of 100 based on 36 critics, indicating "generally favorable reviews".[29]
Roger Ebert of the Chicago Lord's day-Times gave the moving picture 4 stars out of iv, describing the flick as "a delightful comedy, alive with invention". He particularly praised the strong performances of Gordon-Levitt and Deschanel and summarized his review past adding, "Here is a rare moving-picture show that begins by telling us how it will cease and is almost how the hero has no idea why".[30] Premiere likewise awarded the film four stars out of four, stating "Much like the actual summer (the flavour, not the character), we never wanted it to terminate".[31] Michael Ordoña of the Los Angeles Times gave a positive review. He wrote, "500 Days of Summer is something seldom seen: an original romantic comedy. It bristles with energy, emotion and intellect, as it flits near the dizzying highs and weeping-karaoke lows of a passionate entanglement".[32] Dana Stevens of Slate also praised the picture show and described it as "a keeper. It's fun both to watch and to talk near after, and information technology possesses the elusive rom-com sine qua non: 2 equally highly-seasoned leads who bounce wonderfully off each other".[33]
Lou Lumenick of the New York Post awarded the motion picture three stars out of four. He praised the directing of Marc Webb, stating, "information technology'south the oldest bittersweet story in the book, of course, merely music-video director Marc Webb approaches his feature debut with great confidence, flair and a minimum of schmaltz. That's the whole guy-centric point of 500 Days of Summer, though. Sometimes you never, ever truly figure out why these mysterious creatures break your heart".[34] Entertainment Weekly critic Owen Gleiberman gave the picture show an "A", and also praised the originality of the story; "Most romantic comedies have one-half a dozen situations at best: Meet Cute, Infatuation, Pop Vocal Montage, Contrived Mix-Up, Angry Breakup, and Final Clinch. 500 Days of Summer is about the many unclassifiable moments in betwixt. It's a feat of star acting, and information technology helps make 500 Days not merely biting or sweet but everything in between".[35] Flick Threat critic Scott Knopf gave the moving-picture show a maximum five-star rating and called the script "fantastic". He also lauded the film's innovative nature; "Of course they come across. Of course they fall for each other. Of course there are bug. It sounds cliché just what's remarkable virtually 500 Days is how the flick explores new ways to tell the earth'south oldest story". He concluded that the film was "the best romantic comedy since Beloved Actually."[36] Peter Travers of Rolling Stone gave the film three and a one-half stars out of 4. He wrote, "Boy meets daughter, boy loses girl. It'southward been done to emo death. That'due south why the sublimely smart-sexy-joyful-sad 500 Days of Summer hits you similar a blast of pure romantic oxygen" and concludes: "500 Days is otherwise a different kind of dearest story: an honest 1 that takes a piece out of you lot".[37] USA Today's Claudia Puig wrote: "Much like Annie Hall did for a previous generation, (500) Days of Summer may exist the movie that best captures a contemporary romantic sensibility."[6] IGN critic Eric Goldman gave the movie 9 out of x, and praised the film as "one of the all-time of 2009" and particularly complimented the innovative nature of the story in an often clichéd genre; "500 Days of Summertime proved there is a way to bring something fresh and new to one of the most cliché and often frustrating genres – the romantic comedy".[38] A.O. Scott of The New York Times gave the film 4/v and called it "Slight, mannerly and refreshingly candid niggling picture."[39]
Scott Tobias of The A.V. Club graded the picture show B-, simply criticized it for its "dispiriting clichés," which make information technology "air current upwards in a no-man'due south land between Hollywood and something real."[twoscore] NPR was more dismissive: "For all its rhetorical whimsy and hipster dressings, 500 Days of Summertime is a thoroughly conservative affair, as culturally and romantically status quo equally any Jennifer Aniston vehicle."[41] Joe Morgenstern of The Wall Street Periodical was also more critical, calling it, "constructed and derivative, a movie that's popping with perceptions while searching for a style."[42]
British newspaper The Times gave a mixed review. Despite Toby Young application the motion-picture show three stars out of 5, he critiqued, "It is hardly the freshest romantic comedy of past twenty years. Taking the best $.25 from other movies and rearranging them in a non-linear sequence does not make for an original movie."[43] The Guardian flick critic Peter Bradshaw said the film was "allow downward past sitcom cliches, and by being weirdly incurious about the inner life of its female pb."[44]
Marking Adams of the Daily Mirror, though, gave the film a glowing review, awarding it a full v stars, and writing, "It is a modern romance for grown-ups... a sweet-natured, funny, deeply-romantic tale that brims with energy and is blessed with top-notch performances by Deschanel and Gordon-Levitt, who are both charming and take existent chemistry".[45] Empire gave the picture show four out of 5 stars, and wrote: "Perfectly played, simultaneously serious and light, endlessly inventive, this is a potent contender for the virtually original date movie of the year."[46]
Cultural touch on [edit]
In the Entertainment Weekly's interview of the 10th anniversary of the movie's release, the atomic number 82 actors Joseph Gordon-Levitt and Zooey Deschanel addressed its cultural touch on and the viewers' frequent misconception of their characters, such as thinking Summer is a villain. Even though the film is told from Tom's point of view, "Summer is completely honest the entire movie."[47] Gordon-Levitt repeatedly warned against sympathizing with his character Tom, who "develops a mildly delusional obsession over a daughter onto whom he projects all these fantasies [...] That's falling in love with the idea of a person, not the actual person."[48]
Acme Ten lists [edit]
The film was also included in several "Top 10" year end lists for 2009 by various film critics.
Publication | Rank |
---|---|
St. Louis Post Dispatch | 1[49] |
Well-nigh.com | two[fifty] |
The Capital Times | 2[51] |
BBC Radio 1 | 3[52] |
Richard Roeper | 4[49] |
Miami Herald | 5[49] |
Entertainment Weekly | six[49] |
USA Today | half-dozen[49] |
Associated Press | 7[53] |
The Hollywood Reporter | 7[49] |
New York Daily News | vii[49] |
Premiere | 7[49] |
Chicago Reader | 8[49] |
Rolling Stone | 9[49] |
National Lath of Review | N/A[54] |
Accolades [edit]
Scott Neustadter and Michael H. Weber received numerous awards for their screenplay; including the 2009 Hollywood Picture show Festival'southward Hollywood Breakthrough Screenwriter Award on October 26, 2009,[55] the Satellite Accolade for Best Original Screenplay,[56] the Southeastern Film Critics Clan Accolade for Best Original Screenplay (with the film also being named in the Top Ten Films of the Year),[57] as well every bit the Las Vegas Film Critics Society Award for Best Screenplay.[58]
Alan Edward Bell won the San Diego Film Critics Gild Laurels for All-time Editing,[59] as well as the film being named one of the ten best movies of the twelvemonth by the National Board of Review Awards 2009.[54] The film besides received two nominations at the 67th Golden World Awards announced on Dec 15, 2009, for Best Movement Picture – Musical or Comedy and for Joseph Gordon-Levitt for Best Histrion – Musical or Comedy.[seven] It has been nominated for four Independent Spirit Awards and won the award for Best Screenplay.
Awards | |||
---|---|---|---|
Group | Category | Recipient(s) | Event |
Chicago Film Critics Association | Most Promising Filmmaker | Marc Webb | Nominated |
Critics' Pick Motion picture Awards | Best Comedy | Nominated | |
Best Original Screenplay | Scott Neustadter and Michael H. Weber | ||
Denver Flick Critics Order | Best Original Screenplay | Scott Neustadter and Michael H. Weber | Nominated |
Detroit Flick Critics Social club | Best Film | Nominated | |
Best Director | Marc Webb | ||
All-time Actor | Joseph Gordon-Levitt | ||
Aureate Globe Awards | Best Movement Film – Musical or Comedy | Nominated | |
Best Actor – Movement Pic Musical or Comedy | Joseph Gordon-Levitt | ||
Hollywood Film Festival | Breakthrough Screenwriter | Scott Neustadter and Michael H. Weber | Won |
Houston Film Critics Society | All-time Motion picture | Nominated | |
Contained Spirit Laurels | All-time Film | Nominated | |
Best Screenplay | Scott Neustadter and Michael H. Weber | Won | |
Best Male person Lead | Joseph Gordon-Levitt | Nominated | |
Indiana Movie Critics Association | Height 10 Films of the Year | ||
Las Vegas Film Critics Society | Best Screenplay | Scott Neustadter and Michael H. Weber | Won |
National Board of Review | Peak 10 Films of the Year | ||
Best Directorial Debut | Marc Webb | Won | |
Oklahoma Film Critics Circle | Best Film | Nominated | |
All-time Original Screenplay | Scott Neustadter and Michael H. Weber | Won | |
People'southward Pick Award | Favorite Independent Film | Nominated | |
San Diego Film Critics Club | Best Editing | Alan Edward Bell | Won |
Satellite Award | Top 10 Films of the Year | ||
All-time Original Screenplay | Scott Neustadter and Michael H. Weber | Won | |
All-time Actress – Motion Picture Musical or Comedy | Zooey Deschanel | Nominated | |
Southeastern Film Critics Association | Height 10 Films of the Year | ||
All-time Original Screenplay | Scott Neustadler and Michael H. Weber | Won | |
St. Louis Gateway Flick Critics Clan | Best Picture | Nominated | |
All-time Comedy | |||
Best Screenplay | Scott Neustadter and Michael H. Weber | Won | |
Nearly Original, Innovative or Creative Moving-picture show | Nominated | ||
Favorite Scene | 'Expectations vs. reality' split up-screen sequence | ||
'Morning after' dance number | |||
Utah Flick Critics Association | Best Screenplay | Scott Neustadter and Michael H. Weber | Nominated |
Washington D.C. Surface area Motion-picture show Critics Association | All-time Original Screenplay | Scott Neustadter and Michael H. Weber | Nominated |
Writers Guild of America | Best Original Screenplay | Scott Neustadter and Michael H. Weber | Nominated |
Soundtrack [edit]
Two soundtrack albums were released for 500 Days of Summertime. The starting time, consisting of various pop songs from the film, was released through Sire Records and reached no. 42 on the Billboard 200 sales nautical chart.[sixty] Andrew Leahey of Allmusic rated the anthology 3 and a one-half stars out of five, saying "With music playing such an integral role in the story line, it'due south refreshing to see that the accompanying soundtrack does its job well, distilling the characters' record collections (non to mention the movie'southward quirky, nostalgic ambiance) into one eclectic track list."[61] The 2d album consists of the moving picture's musical score, composed past Mychael Danna and Rob Simonsen.
References [edit]
- ^ a b c "500 Days of Summer (2009)". Box Office Mojo. Net Motion-picture show Database. Archived from the original on September 3, 2009. Retrieved Baronial 26, 2009.
- ^ a b Fung, Lisa (August 15, 2011). "A new dance video from 500 Days of Summer director Marc Webb" (video). Los Angeles Times . Retrieved January viii, 2010.
- ^ Dudek, Duane (April 1, 2009). "Director returning for Madison moving-picture show debut". Milwaukee-Wisconsin Periodical Picket. Retrieved July 6, 2010.
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- ^ a b "(500) Days of Summer". Golden Globes Awards. Jan 17, 2010. Retrieved April ten, 2020.
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- ^ Lumenick, Lou (July 17, 2009). "Bittersweet symphony: 500 Days is a dispensary of chemistry & classic rom-com". New York Post. p. 37. Retrieved Jan 8, 2010.
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- ^ Goldman, Eric. "500 Days of Summer Blu-ray Review: A wonderful, fresh take on the romantic comedy gets the HD treatment". IGN . Retrieved Jan viii, 2010.
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External links [edit]
- Archived of Official website
- 500 Days of Summer at IMDb
- 500 Days of Summer at AllMovie
- 500 Days of Summer at Box Office Mojo
Source: https://en.wikipedia.org/wiki/500_Days_of_Summer
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